Crisp writing and a strong cast can’t save Radiant Boy from its own lack of conviction. An exorcism with no menace is no exorcism at all.

Martin Freeman and Jack Lowden spark in a sharp, chaotic AA two-hander that juggles redemption and rabbit gags with wit, energy, and frustrating lack of depth.

Mischief’s latest farce, The Comedy About Spies, is a Bond-flavoured blast of chaos, puns and precision, proving this troupe’s comic formula still works.

Richard Bean’s adaptation of Mamet’s thriller blends noir with comedy, but its split personality leaves suspense and satire jostling for control.

This Labour history is a punchy, gin-rich political psychodrama where egos clash, history pivots, and Britain’s fate slips through old hands.