Review – Living with Kenneth Williams is no joke
David Benson revisits his extraordinary and obsessive bond with the Carry On legend in a funny and unsettling one-man show.
David Benson revisits his extraordinary and obsessive bond with the Carry On legend in a funny and unsettling one-man show.
What begins as a clash of acting styles deepens into a revealing study of ego, ageing and the damage beneath familiar stereotypes.
A swaggering West End debut bursts with energy and goodwill, but indulgent cruelty and misjudged sentimentality sap its early promise.
Lyle Kessler’s three-hander grips at Jermyn Street Theatre, driven by volatile performances and a story that refuses to behave.
Shorter chapters reflect screen-era storytelling, not failing attention, as books adapt to film, TV and a culture trained on faster narrative rhythms.