
Review – Fiddler on the Roof is raw and magnificent
Jordan Fein’s reimagining strips off nostalgia to reveal a haunting, heartfelt tale of tradition, resilience and the quiet ache of displacement.
Jordan Fein’s reimagining strips off nostalgia to reveal a haunting, heartfelt tale of tradition, resilience and the quiet ache of displacement.
Sarah Ruhl’s epistolary play about poet Max Ritvo is a tender, witty meditation on life, art and mortality, delicately staged at Hampstead Theatre.
Great stories live not in the characters themselves, but in the relationships – the charged, shifting dynamics that bind or break them.
Crisp writing and a strong cast can’t save Radiant Boy from its own lack of conviction. An exorcism with no menace is no exorcism at all.
Martin Freeman and Jack Lowden spark in a sharp, chaotic AA two-hander that juggles redemption and rabbit gags with wit, energy, and frustrating lack of depth.