Review – In Showmanism, Dickie Beau blurs theatre and self
In Showmanism, lip-sync artist Dickie Beau channels theatre’s past and present in a witty, unsettling reflection on what it means to perform.
Review – Fiddler on the Roof is raw and magnificent
Jordan Fein’s reimagining strips off nostalgia to reveal a haunting, heartfelt tale of tradition, resilience and the quiet ache of displacement.
Review – Letters from Max, love, loss, lyricism
Sarah Ruhl’s epistolary play about poet Max Ritvo is a tender, witty meditation on life, art and mortality, delicately staged at Hampstead Theatre.
The spark is in the space between characters
Great stories live not in the characters themselves, but in the relationships – the charged, shifting dynamics that bind or break them.
Review – Radiant Boy, of spectres and squandered opportunity
Crisp writing and a strong cast can’t save Radiant Boy from its own lack of conviction. An exorcism with no menace is no exorcism at all.