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Review – Masterclass pits acting egos in close combat

Review – Masterclass pits acting egos in close combat

by Giles Broadbent | Jan 25, 2026 | Stage

What begins as a clash of acting styles deepens into a revealing study of ego, ageing and the damage beneath familiar stereotypes.

Review – Gerry & Sewell’s raucous rise curdles into excess

Review – Gerry & Sewell’s raucous rise curdles into excess

by Giles Broadbent | Jan 19, 2026 | Stage

A swaggering West End debut bursts with energy and goodwill, but indulgent cruelty and misjudged sentimentality sap its early promise.

Review – Orphans plays shifting power games

Review – Orphans plays shifting power games

by Giles Broadbent | Jan 12, 2026 | Stage

Lyle Kessler’s three-hander grips at Jermyn Street Theatre, driven by volatile performances and a story that refuses to behave.

Review – The Animator is a silhouette brought to life

Review – The Animator is a silhouette brought to life

by Giles Broadbent | Aug 26, 2025 | Stage

Akimbo Theatre’s rambunctious retelling of animation pioneer Lotte Reiniger dazzles with energy, though its indulgences test patience.

Review – Every Brilliant Thing, including this show

Review – Every Brilliant Thing, including this show

by Giles Broadbent | Aug 9, 2025 | Stage

A masterclass in audience warmth, Lenny Henry balances melancholy and hilarity in Duncan Macmillan’s interactive play on life’s joys.

Review – The Daughter of Time is a slow-burner

Review – The Daughter of Time is a slow-burner

by Giles Broadbent | Aug 1, 2025 | Stage

Despite staging flaws and an inert script, this historical whodunnit finds its footing thanks to committed performances and period charm.

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